As a fan of context, I’d like to provide some here. When this film came out, Disney was in heated negotiations with Pixar. Their contract was almost up and Pixar was using Disney’s lackluster performance streak as leverage to sweeten their end of any deal. Disney had yet to enter the fray of computer-animated films and interest in their traditionally-animated product waned as audiences craved the new hotness. All of this converged into Chicken Little. It was Disney’s way to say that they were still relevant and that they could compete with not only other studios but also with Pixar. It was almost as if Pixar told Disney ‘you need us’ and Disney said ‘no we don’t and we can prove it.’ Disney was dead wrong, scrapped the negotiations, and flat-out bought Pixar less than a year after this film was released.
As far as the animation goes, it’s not Pixar quality but it’s also not terrible. In fact, Disney should get a little credit for spending enough on their animation software that their end product looks better than a handful of Pixar’s imitators. Some of the characters look like they were designed to be as simple to work with as possible, which calls into question whether Disney was really ready and willing to take the full plunge on computer animation. Much of the movie is spent teetering back and forth between rich textures and few, if any, textures. It’s pretty clear that the animators used this film to work out all the bugs and to get used to the new-fangled technology.
In its push to bring the technological heat, Disney forgets one important element. The story sucks. The classic fable is only long enough for a short film, so after running through said fable in the first five minutes, the filmmakers have to make up an additional 75 minutes of story. Instead of something interesting, like a lesson against needlessly spreading fear or putting your trust in those who capitalize on it, we get a combination lecture and public service announcement on the importance of communicating with your children.
Yes, you read that correctly. Rather than a lesson about the spread of fear, Disney flips the story on its head. As it turns out, Chicken Little was right- part of the sky did fall! More random yet, it’s aliens! Once an outcast, now only Chicken Little can save his town, and Earth, from certain doom! To fill in the gap, we get sad attempts at making the juvenile characters clever, funny, and mature beyond their years. What this results in is a rehash of coming-of-age movie clichés where the kids are smart and capable but the adults are dopes who can barely get out of their own way.
The spastic antics of our tightly wound kiddie characters may entertain children on the most superficial of levels but that’s only because they won’t realize they aren’t the target audience. Chicken Little sets its sights on mom and dad. It seems like a first to me but it is also a problem. Can you imagine paying to take your kids to see a movie in the theater only to have the movie lecture you, suggesting that you’re not spending enough time with or listening to your own children? With this film, Disney is basically thanking you for buying a ticket and immediately questioning whether you really love your kid. I’m surprised there weren’t riots like you see at Chuck E Cheese.
I think one of the chief reasons that this film feels so insultingly inferior is that Finding Nemo was so great. There you had similar father-son communication issues being resolved but in a way that showed character growth. With Chicken Little all you got is a Big Dumb Parent saying, “Gosh! I guess I should have listened to and believed my own kid a little more.” The animation may be better than the average studio attempt to catch up with Pixar but that story sets up any number of puns. Is Chicken Little a bad egg, a rotten egg, a story that never fully hatched, one in need of a little more incubation, or not all it’s cracked up to be? Take your pick and please don’t watch this stain on the legacy of Disney.
ORIGINAL RATING: 2.25 out of 5
NEW RATING: 2.25 out of 5
