Mel Brooks’ career features a number of standout hits but, as with any director, he is capable of missing the mark. Some of his films remain as classics, some have been forgotten about and other remain somewhere in between. History of the World Part I falls into that awkward middle ground. While Brooks has been successful in spoofing westerns and monster movies, this bold attempt to skewer several Hollywood genres and history at the same time falls short along the way.
The film is broken into five main components. ‘The Dawn of Man’ focuses on the evolution of cavemen as they move towards becoming a more sophisticated species. Brooks covers the creation of fire, marriage, art, music and comedy. We then move on to a brief synopsis of ‘The Old Testament,’ where Brooks appears as Moses irreverently proclaiming God’s commandments unto the Hebrew people.
Jumping forward a few centuries, Brooks lays into ‘The Roman Empire,’ where he plays a stand-up philosopher named Comicus. He falls in love with one of Caesar’s virgins (Mary-Margaret Humes) and befriends an Ethiopian slave (Gregory Hines). Caesar (Dom DeLuise) is not impressed by Comicus’ act. The philosopher and his new pals flea the wrath of Caesar, bumping into Jesus Christ along the way.
We then move ahead to a goofy, Broadway-esque song and dance number for ‘The Spanish Inquisition.’ We then segue into ‘The French Revolution,’ where Cloris Leachman, as Madame Defarge, leads an uprising against the aristocracy. Catching wind to the tide of change, shifty King Louis of France (Brooks again) looks for a way to avoid the guillotine.
For the most part, History of the World Part I is enjoyable. Between Orson Welles’ absurdly serious narration and some amusing references to great films of yesteryear, there’s enough going on between the lines so to speak to keep a film buff chuckling. For those who have never seen 2001: A Space Odyssey (spoofed during ‘The Dawn of Man’) or any of the ‘sword-and-sandal’ flicks Brooks takes aim at, some of the humor is lost.
Part of the problem is probably because we are so far removed from the Bible epics of the 1950s. Everyone knows about the clichés and conventions of monster movies and westerns, which is why Young Frankenstein and Blazing Saddles worked so well for Brooks. But by 1981, films like Ben-Hur and The Ten Commandments, while still appreciated, were considered relics of the past by many moviegoers. Had this film come out in the 70s, the satire might have seemed fresher and more people could have gotten the jokes.
Perhaps the scope is also part of the problem. History of the World Part I, while sounding like it limits itself, takes on a bit too much and ends up delivering too little. The Roman and French pieces make up a bulk of the film but even they seem to drag on a tad too long by the end of it all. It’s a shame that a 92-minute film could be described as feeling long. To be fair though, had this film been little more than vignettes lampooning historical moments, it would have seemed like a half-baked Monty Python clone. I guess Mel Brooks was bound to lose either way.
If you’re a fan of Brooks’ other work, this film is worth seeing. The laughs are more gimmick-oriented but Mel hasn’t lost his touch yet. For the rest of you out there, if you happen upon this film on TV, feel free to check it out. Clever it may be but there’s no need to rush out for a copy.
Mel Brooks’ spoof on all things Sci-Fi is a cult classic. While it shows its age through several of the pop-culture jokes and references, the lampooning of the numerous clichés and coincidences inherent to the science-fiction genre are spot on.
The only hindrance to this film’s success is the fact that it is being pitched to a specific audience. Films like Blazing Saddles and Young Frankenstein were more widely humorous because clichés are very often shared throughout the Western and Mad Scientist genres. You have to really know your sci-fi to appreciate all the jokes in Spaceballs. Otherwise, stretches of this movie will seem boring to you. I am a big science-fiction nerd, so I got nearly all of the jokes.
The fact that sci-fi flicks try hard to stand out from one another presents a problem for Brooks & company. Trying to cover all the widely different styles of sci-fi and wrap all the jokes around a cohesive story is a daunting task. Brooks does a good job, but it certainly alienates the casual viewer.
Despite the odds stacked so high against it, Spaceballs has entered the cultural lexicon (at least for the older portion of my generation and the one prior to it) with phrases like “Ludicrous Speed;” “May the Schwartz be with you;” and being able to identify Yogurt as something other than a snack food.
The best part about Spaceballs is that Brooks really goes all out. He not only pegs the goofy plots and groan-worthy dialog, but he also triumphs in the visual areas as well. The sets, props, and even the music all work in favor of Mel’s comedic purposes. He also covers more than just Star Wars and Star Trek (more spoofing of the former than the latter though)- he hits major films like Planet of the Apes and 2001: A Space Odyssey.
Certainly not for everyone, but I recommend it if you have a love for sci-fi and an appreciation for satire.
One of the greatest comedies of all time and one of Mel Brooks’ greatest films, Blazing Saddles uncompromisingly lampoons the living daylights out of the Western genre.
In order to complete a railroad, a corrupt politician decides to scare a whole town into moving. When gangs and thugs don’t work, they try sending a black sheriff to town and get people to leave based on their unabashed racism. That doesn’t quite work either, as the sheriff is a hit and he gets a zany gunslinger of a partner (Gene Wilder) in defending the town.
Blazing Saddles pretty much covers the entire gamut of all things crude, rude and lewd. Cheap shots are made at all kinds of prejudiced beliefs and the absurdities of Westerns in general. Mel Brooks creates one gut-buster of a comedy that is a must-see, no matter how prudish you may be. Unless you’re a super stick in the mud, you’ll find plenty to laugh at here.
Mel Brooks’ career features a number of standout hits but, as with any director, he is capable of missing the mark. Some of his films remain as classics, some have been forgotten about and other remain somewhere in between. History of the World Part I falls into that awkward middle ground. While Brooks has been successful in spoofing westerns and monster movies, this bold attempt to skewer several Hollywood genres and history at the same time falls short along the way.
