The specter of Don Bluth is still evident in some of the tone and atmospherics but this is clearly a step in the right direction for Disney. At least that’s what I call The Fox and the Hound. Some will consider it a step back toward the artistic stylings of an era long gone. In a way, it is, but in doing so, Disney manages to inject a little of the old Disney magic back into the veins.After a gunshot makes a baby fox an orphan, several woodland creatures search for a suitable home. Left on the doorstep of Widow Tweed, the baby fox is adopted and given a name- Tod. Meanwhile her scruffy neighbor brings home a young puppy to be trained into a hunting dog. So begins the tale of Tod (the fox- voiced by Mickey Rooney) and Topper (the hound- voiced by Kurt Russell), two natural-born enemies that become the unlikeliest of friends. The bonds of friendship are tested though, by instinct, time, and the expectations placed on them by their owners.
Yes, I’m going to rave a little bit more about the animation. It really looks sharp. Not just good, but some of the best full-detail animation since The Jungle Book. It looks like they finally managed to get rid of those pesky guide- and sketch lines that drove me crazy through two decades of Disney product. There’s crispness in the colors and depth to the scenery that really make you feel deep in the heart of the woods.
In something of a bold move, The Fox and the Hound does not include songs. While this flies against the archetypal (I refuse to apply the term ‘stereotype’ here) Disney format, it works because the story doesn’t really demand musical numbers. Disney had been hit or miss with the inclusion and exclusion of song and lyrics for the best part of 20 years. Some films could have used less (or more work on the numbers) while other films leave you feeling very aware of the absence of music. This film works though because the sounds of the forest are its soundtrack. Plus, as it grows darker and more serious, sing-songy bits would feel out of place.
One absolute point of contention is the flimsiness of the story. The characters are likeable more for the fact that they are cute animals than for anything they do, say, or learn. There also exists a fairly brazen anti-hunting message being delivered. It may never get preachy about the subject matter but there is no doubt that the hunter is a villain according to the Disney crew. That’s a slightly subjective position to take but I believe the observation is as objective as can be.
Plenty of good things are in play in this film. It’s a trim 83 minutes long, so it doesn’t overstay its welcome. It hearkens back to the glory days of Disney, when he animation was vibrant, lush, and legitimized Walt Disney’s goal of getting animation to be taken seriously as an art form. Too simple a story is the downfall here but even that doesn’t hurt it too badly. Parents and children can all watch this film and enjoy it as a solid second-tier Disney flick.
RATING: 3.5 out of 5
