Clue (1985)

In what is said to be the first film based on a board game, audiences are handed a delightful mad-cap dark comedy with plenty of screwball antics. It may be easy to dismiss Clue as little more than a gimmick, what with its source material and three different endings, but it is also a lot of fun to watch. A good viewing experience counts for quite a bit and Clue is more than just a guilty pleasure.

Six strangers attend a mysterious dinner event at a secluded New England estate. The butler reveals that a seventh guest, Mr. Boddy, is the one secretly blackmailing them all and informs them that the police are on their way. Boddy counters by encouraging the guests to kill the butler, destroy the evidence, and everyone walks away. When the lights go out, Boddy is killed, leaving the guests to sort out whodunit before the police arrive.

This film was a mixed bag with critics when it was released and I can see why, if you assume that those critics only got to see one ending of the film. On home video, two endings are presented as possibilities and the third as the real ending. The two false endings involve a single mastermind behind all the killing. In the ending listed as the real one, there are multiple murderers for multiple reasons. It’s hard to swallow the two false endings because they border on ridiculously intricate to pull off. The mass chaos of the third ending is both amusing and much more believable.

The more familiar you are with the murder mystery genre, the more you will probably appreciate this film. Most of the characters are based on stereotypes from the genre, so there is actually quite a bit of subtlety and nuance to Clue. If you’re not familiar with the genre much at all, you will still find it amusing for the witty banter and physical comedy. Either way, there is something to like here.

As for the other aspects of the film, they all do their job but they don’t stand out. The sets give off the right stuffy-mansion-playing-host-to-murder vibe and the music is appropriate to the genre as well. The combination of ingredients makes this film a good time for most, which elevates it above mere guilty pleasure status. It’s harmless fun that no one should fault you for watching or passing over when you come across it on the TV.

RATING: 3.25 out of 5

Babes in Toyland (1986)

A made-for-TV movie featuring some of the most popular young stars of the day, Babes in Toyland is a modern take on the Victor Herbert operetta. Featuring very few of the original songs, this movie is a very loose adaptation of the original stage production, tweaked in various ways to make it work for the small screen. Unfortunately, the end result is an uninspired mess that misses the mark on many levels.

TV movies are held to a slightly different set of standards but they are still considered movies to me. Movies made for the small screen always have low budgets and the visual effects and props usually suffer. I try to take this sort of thing into account when I watch a made-for-TV movie. Still, in terms of what was possible back in 1986, Babes in Toyland is weak.

Drew Barrymore stars as Lisa Piper, a girl who has very little time for toys because she has to help pitch in for her family. One night, she is riding home with her sister and the boy her sister likes when a blizzard strikes and their car goes off the road. Lisa is transported into the magical world of Toyland, where toys are life size and characters from Mother Goose’s fairy tales populate the village.

The problem is that things are oversimplified in Toyland. I’m not sure if that’s the point or not though, as I have not seen the stage production or any of the prior film adaptations of it. But to me, it seems silly and campy for the 11-year-old lead to come up with all the best ideas, leaving the adults to smile and say “Ooooh!” like a bunch of simpletons. I can see how it might appeal to kids, which is certainly what they were going for, but it still rubs me the wrong way.

The effects are bad, even by TV movie standards, and the costumes are all a little too much. The cast either overacts or under-acts, leaving the finished product feeling like a bipolar mishmash of camp and boredom. The characters in Toyland are exaggerated versions of their counterparts in the real world as well.

What I took away from Babes in Toyland most of all was how similar it is to The Wizard of Oz. As it would turn out, the operetta was written in response to the success of a stage production of The Wizard of Oz. It replicated the same basic premise but changed things enough to avoid any accusations of plagiarism. With this in mind, it’s hard to imagine any version of Babes in Toyland rating too exceptionally high.

While the original story is a bit of a rip-off itself, the 1986 version of Babes in Toyland feels like an uninspired modernization of something that was probably much better. Still, it’s a TV movie. Had this been a major release, I would have torn it to pieces with my rating scale. Since it was a small screen affair, I’ll be nice.

RATING: 2 out of 5