The Twilight Saga: Breaking Dawn-Part 2 (2012)

At long last, we reach the concluding chapter of the Twilight Saga. It’s had fewer ups than downs but there is finally light at the end of the tunnel. Too bad the final leg of the journey fails to measure up to any of the first three films in the series.

Bella awakens as a newborn vampire, finding herself strong, super-fast, and hungry for blood. Bella is able to restrain her thirst and learns the ropes from Edward. Together, Bella and Edward watch their daughter, Renessme, grow at a rapid pace, reaching pre-pubescence in a matter of months. When a visiting vampire sees the child, she flees, thinking Renessme is a dangerous Immortal Child, capable of nothing but destruction. Upon learning this false information, the Volturi set out to destroy the Cullens for violating their laws. The Cullens, knowing the potential wrath of the Volturi, scramble to gather friends who will testify to Renessme’s true nature and stand to fight the Volturi if necessary.

In many ways, Breaking Dawn Part 2 mirrors the structure of Part 1. There’s a lot more build-up and rising tension but the pace loses its way when introducing all the vampires who come to the aid of the Cullens. Maybe this could have been avoided by trimming some of the excesses of Part 1 to include a few introductions instead of wallowing in pointless wedding and honeymoon details. The conclusion would have been similarly anticlimactic had it not been for a massive battle scene. The point remains, however, that few, if any, chances are taken and neither Bella nor the Cullens end up sacrificing much of anything at the end of it all.

I can’t fault the film for lacking character development. By now, everyone is as formed as they are going to be and there just isn’t enough time to give proper development to the myriad of vampires being introduced. Even Bella’s discovery of her newfound vampire abilities is rushed, though I’m not complaining. The whole sequence was cheesy and full of poor visual effects. And yet, it is probably exactly what the Twihards were hoping for.

Breaking Dawn Part 2 is something like the sum of all previous installments. It’s not as bad as the haters think it is but it’s not a good movie by any stretch of the imagination. It may merit a re-watch or two simply because it brings the series to an end but it’s not a very satisfying end for those of us who like full-bodied stories instead of fluffed-up wish lists. In some ways, I’m glad there was a fake-out at the end because it would have been insufferable otherwise.

RATING: 2.25 out of 5

The Twilight Saga: Breaking Dawn- Part 1 (2011)

I’m going to be honest right up front- this movie made me angry. After a well-put-together plot in Eclipse, what do we get? A whole lot of nothing. Maybe the inklings of a plot but the filmmakers blow it all up in order to give the fans what they want- a shamelessly indulgent squee-fest. Or maybe it’s author Stephanie Meyer’s fault for making this story what she wanted it to be. If this weren’t Twilight, I’d find it hard to believe. But this is Twilight and this is the worst kind of Twilight.

The wedding of Bella Swan and Edward Cullen finally arrives, bringing dozens of vampire friends from all over the world. After consummating their nuptials on their private-island honeymoon, Bella becomes pregnant. The fact that this is not believed to be possible, coupled with a rapidly-progressing pregnancy, sends the lovebirds back to Forks to figure out what the heck is going on. When Jacob finds out, he beats the drums of war, rallying several of his kin to destroy what they think is a monster growing in Bella’s womb.

Now for the short version: Bella and Edward get married, have sex, get pregnant, and the werewolves don’t like it. That’s about it, making this movie one gigantic frustration for those of us who prefer a little more plot and a lot less indulgence from films. There is also one of the most disturbing childbirth scenes ever put on film, further adding to the shift away from everything that was right about Eclipse.

One thing I will praise is the skin tone used in this film. Each successive Twilight film gave more and more color to the vampire characters. In Breaking Dawn, I wouldn’t even go so far as to call many of the vampires pale. They just look like they need a tad more sun is all. This leaves the werewolves as the sole annoying visual effect in the film for a change.

The pacing is dreadful, spending far too much time on the minute details of the wedding and honeymoon. That may be what Twihards really want to see but it makes the first half of the film drag on for those of us among the non-Kool-Aid drinkers. Seriously, there is no plot development until halfway through the movie. I realize that this is only the first part of a two-part story but it takes too long to reach the central conflict of this installment. Even then, Bella’s potential demon-baby drama is largely anticlimactic. In true Twilight fashion, a change of heart leads everyone to just leave the kid alone.

The film attempts to leave you with a cliffhanger but it’s really more of a teaser of what’s to come next. Did they really think that audiences would worry about Bella’s survival at all? We know there is another movie coming and the author of the books has shown no interest at all up to now in doing anything drastic or game-changing. Everyone starts and finishes more or less in the safe little bubble they were in when the movie started. Few if any chances are taken and, after four Twilight movies now, the safeness of it all is getting old.

RATING: 1.75 out of 5

Dreamgirls (2006)

Based loosely enough on the rise and fall of Diana Ross and the Supremes to avoid a lawsuit, this film tells the tale of a trio of young black women trying to break into the early 60s R&B music scene.

Dreamgirls was originally a Broadway musical and its film adaptation has been a long time coming. The stage show took Broadway by storm in 1981. Thanks to recent successful movie-musicals like Chicago and biopics like Ray and Walk the Line, Dreamgirls finally gets its day in the sun.

Through the first half of the film (the first Act of the show, really) we see the naïve and aspiring Dreamettes go from being not even a blip on anyone’s radar and playing local talent contests, to singing backup for a hit singer and eventually breaking through to the white radio markets on their own. During this process the writers treat us to little doses of history- payola, civil and racial unrest, Dr. Martin Luther King Jr., and the difficulty for black artists to succeed due to poor copyright protection that allowed white artists to snag a hit from black radio and convert it for a white-friendly audience.

The sizzle and pop of the songs and the excellent set and costume designs made me wonder how on Earth the Academy failed to nominate this film for Best Picture. Then came the second Act.

Actually, the momentum died at the end of the first Act, where Jennifer Hudson’s Effie is disgruntled about no longer being lead vocalist (making Beyonce Knowels the ‘face’ of the group) and her bad attitude has finally cost her a place in the group. She discovers that she is being replaced and throws a diva fit, to which her manager and friends interject by singing their dialogue. Up to this point, all the songs had been performance numbers by the group or other artists, so when they began to unfurl their exposition and dialogue via song, my affection for the film dropped a notch. Sure, this sort of style works in movie-musicals from the 60’s and earlier, but now it just seems cheesy. The Academy fruitballs and the Broadway fruitballs can defend sing-songy exposition all they want, but it just doesn’t jive with me. At least not for contemporary films.

The second Act seems to drag, as Effie manages to drop off the face of the Earth for much of the time, and we are instead tuned into the struggle of the group and of Beyonce’s character. Updates on what Effie’s life has been like since the split are shown, but they don’t add to the roundness of the character. Another major issue with the second Act is the jump in time from the close of Act one. We go from the 60s to the 70s and very little compensation is given for the 8-year leap. Characters look no older and it seems that the filmmakers didn’t even bother trying to do so.

A lot of noise was made about Beyonce’s role in the film and many were buzzing early on about potential Golden Globe and Academy Awards nominations for her. She got nothing, which I find hysterical, because she didn’t deserve any in the first place. Beyonce does a good job playing the innocent, pretty, sweet-sounding singer, because she is one. She’s not an actress, so why did people think she was so great at a part she could play because it was barely a stretch from how she really is? Frankly, she’s forgettable, as Effie is a much more interesting character, and Hudson was rightfully recognized for her astounding performance (take that, American Idol).

Dreamgirls starts off as a tour de force, appealing to the eyes and ears alike. They aim for the fence and come out swinging for the home run, but the story progresses away from the most interesting character, only to bring her back in the final scenes to provide a standard sappy happy ending. It is still a very excellent film, but I can understand why the Academy did not nominate it for Best Picture.

Look for some head-turning performances by Hudson and Eddie Murphy, and a keen eye will spot Steve Urkel himself (Jaleel White) amongst the who’s-who ensemble black cast.

RATING: 3.75 out of 5