It’s not high art but it’s not low-brow cinema either. Home Alone is one of those rare family comedies that hits all its marks and doesn’t leave you with an aftertaste of cheese.John Hughes, one of the most successful film scribes in the 1980s turns away from coming-of-age tales fraught with teen angst and sets his sights on family dynamics as told through the eyes of a youngest child in a large family. Through the young Macaulay Culkin, Hughes and director Chris Columbus provide a raucous tale of a little boy left by himself by accident while the rest of his family head to France for Christmas.
Overlooked by his frantic family, young Kevin McCallister has to cope with being the “man of the house” and fending for himself. It’s bad enough that he’s scared of the basement and his neighbor but a pair of bumbling cat burglars has set their sights on his home as well. Out of options, Kevin must defend his home against the invaders.
Very little of what happens in Home Alone is believable, let alone plausible. I mean, how many eight-year-olds do you know that would take on two dangerous men over calling the cops? Also, how many people would fall for the traps that Harry and Marv (Joe Pesci and Daniel Stern) do? Lastly, how many parents would get all the way to the airport and get on the plane before realizing one of their kids is missing?
A cynic would have very harsh things to say about the foolhardiness of Kevin, the idiocy of Harry and Marv, the parenting skills of the McCallisters and the lack of a bond between Kevin and his numerous siblings. The rest of us take the film for what it is- a ridiculously escalated version of something that happens more frequently than most parents would like to admit. I myself was accidentally left at home alone once as a child (though merely for a matter of a few hours) and I’m sure that I am not the only one who can say this.
Home Alone is the kind of film where you can turn your brain off for the most part and just have fun. Many viewers will find themselves getting in touch with their inner child once more as Kevin wanders around in a world full of adults. Using a child as young as Macaulay Culkin was at the time is critical to the film’s success. No one would believe a child younger than eight capable of the things Kevin gets into. Using a teenager would also not have worked because, by that age, a child should know better and just call the cops.
Using a young child works because it enables the filmmakers to hit two powerful demographics. Younger children will be able to identify with Kevin’s sense of wonder at the world of adults. Moms and dads will be able to relate to the panic and worry that fill Kevin’s parents as they try to get home to their son. Everyone meets in the middle for some quirky, slapstick fun. If you really want to overanalyze things, then the slapstick crosses the line of believability numerous times and shouldn’t be so funny. But if you just sit back and enjoy the ride, you’ll be in stitches.
Home Alone does not try to be believable in every way. The filmmakers are keenly aware of how absurd and unlikely their film is and they milk it for all it is worth. The fun is expertly supplemented throughout the film with brief lessons for Kevin and his parents on what it means to be a family. This blend of comedy and moral lesson is a tough feat to pull off without compromising the humor at the wrong moment. Instead, this film is memorable for both its hilarity and its tale about a family in need of some serious mending.
A modern Christmas classic, Home Alone stands out among the myriad of cheesy family holiday tales, many of which came after its release and failed to replicate the harmony of laughs and lessons. If you don’t watch this film every year then you’re missing out.
RATING: 3.5 out of 5
