Thursday, March 12, 2015

Brother Bear (2003)

The three years separating this film from The Emperor’s New Groove feels like an eternity. Other than the mildly entertaining Lilo & Stitch, Disney seems to have lost its magic. Had Pixar been a rival to Disney rather than a business partner during this time frame, the House of Mouse would have been on life support. While Brother Bear seems to check off some of the surefire ingredients that served Disney well over the years, the end result feels more like a misfire.

In a prehistoric time, a young man named Kenai (Joaquin Phoenix) is displeased with the sacred totem (a bear) bestowed upon him by his tribe. Seeming to confirm his disapproval of bears, a wild bear steals food from the tribe during the ceremony. When Kenai and his older brothers hunt the bear down, the eldest brother, Sitka (D. B. Sweeney), gives his life to save his brothers. Kenai kills the bear but the Spirits the tribe worship transform him into a bear. To regain his human form and achieve manhood in his tribe, Kenai must learn from his mistakes and help a young bear cub find his way through the wild.

I do have to give this film some credit for a little bit of trickery. When the film begins, it is presented in one aspect ratio and the art direction portrays the animals and environments very realistically. After Kenai is turned into a bear, the aspect ratio is wider and the environments and animals have a more cartoonish look. It’s not exactly Dorothy walking out into a Technicolor Munchkinland but it’s a clever trick involving a change of perspective, which Kenai needs to appreciate his totem.

Other than that, this film is forgettable. In the time that has passed since I saw Brother Bear, I completely forgot that this film even has songs in it. That’s a cardinal sing for Disney movies that use songs. My lapse in memory is probably in part because most of the songs were used during montage segments, rather than having the characters sing them movie-musical style. More often than not, this musical direction choice hasn’t worked out well for Disney.

When you have a fairly simple story, as in this film, it helps to have complex characters to make up for it. I was not engaged by any of the characters in Brother Bear. Kenai and Koda are too paint-by-numbers and the plot twist that befalls them is predictable from early on. The filmmakers even bring back the goofiness of Bob and Doug McKenzie by way of Rick Moranis and Dave Thomas voicing two sarcastic moose. This is an obvious throwaway joke for parents when the film came out but probably half the people my age don’t even remember that comedy act. Those not in the know just assume they’re a pair of stereotypical Canadian moose. I like Bob and Doug but I did not care for the moose bit.

The prehistoric setting probably helped prevent Native Americans, anthropologists, and history buffs from getting upset when this film was released. Pocahontas certainly irked a number of people but that’s because it butchered a true story. Brother Bear is fiction and I doubt it will elicit a strong response from very many people. It’s cute and colorful but it’s also low-quality Disney. That doesn’t mean it’s bad but being boring is usually worse.

RATING: 2.75 out of 5

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