Every year there are a handful of independent films that take critics (and occasionally audiences too) by storm. Sometimes these ‘indie darlings’ are overhyped by the pro-indie crowd. In the case of (500) Days of Summer, the hype isn’t hollow. Young stars and a clever story combine for one of the freshest and zaniest romantic comedies in recent memory.Tom Hansen (Joseph Gordon-Levitt) has a degree in architecture but works in the writing department of a greeting card company. He takes a liking to Summer Fin (Zooey Deschanel), his boss’s intern. She’s cute and they share similar tastes in music, but Summer is an odd duck. As they grow closer together, Tom discovers how difficult it can be to fall in love with a girl who doesn’t believe in true love. Despite her semi-detached stance on their relationship, the couple gives it a shot, progressing through many peaks and valleys.
This film starts out like only a handful of films dare- by telling you exactly how the story is going to end. It then proceeds to use another film technique that is risky and prone to poor execution- the nonlinear narrative. We jump around through various high and low points in the 500 days that Summer Finn is a major part of Tom’s life. Tom is a hopeless romantic to the core and wears his emotions on his sleeve, which leads to a number of humorous but honest glimpses into the whirlwind life of a guy who mistakenly thinks he’s found true love.
If this film had been made in the major Hollywood system, it would have been a bomb. Yes, it has known actors as leads but this film is indie to the core. The writing is too fresh and quirky for Hollywood, whose rom-com writers seem capable of only cutting and pasting clichés and obvious lines into their scripts. The blend of drama and comedy on display here is only something that could have come from a writer and director who are completely devoted to their little creation.
Director Marc Webb had worked exclusively in music videos before helming this film, which explains its perfect sense of rhythm and musicality. A celebratory dance number is even included, allowing Webb to work his gift for pairing action with music. For cynics, this will come ridiculously out of nowhere and seem woefully out of place. For those who actually get and follow the film, it is a harmless and delightful romp that fits the spirit of the picture.
Both Joseph Gordon-Levitt and Zooey Deschanel are perfectly cast here. Gordon-Levitt’s star has been on the rise the past few years and his performance here shot him into the stratosphere of buzz-worthy Hollywood talent. Here is a young actor that has not been jaded by past success (3rd Rock from the Sun) and, through careful role selection, has broken through the barriers often built up through the label “former child star” to emerge as a legitimate adult actor. He brings Tom Hansen to life. He’s not just playing a character for a paycheck, JGL believes in Tom Hansen and that pays handsome dividends.
For a refreshing change of pace, Deschanel’s typically vacant, oddball acting style is exactly what the role calls for. Summer is a bit out there and rather than have a more ‘normal’ actress pretend to be enigmatic, Deschanel is able to be herself. There’s no disconnect between her and Summer. This is a character that other actresses would struggle to understand and make right. For Deschanel, it’s as if there is a sublime connection between star and subject.
(500) Days of Summer is not your typical rom-com. It’s doesn’t fit the standard pattern and even makes you think a little in order to keep the narrative straight in your head. This alone makes it interesting to me. I can’t help but wonder if I am also subconsciously more interested in the film because it focuses on a man instead of a woman. It’s hard to say, because the male and female characters are all but emotionally reversed in this film, which only adds to the freshness.
A warning to all you formula-addicted chick-flick chuckleheads: this movie is going to make laugh you and think. Can you handle both at once? If not, you best stick with the predictable rubbish that I typically make fun of. If you’re ready for a cinematic treat that’s part reality and part fantasy, pick this gem up. Dysfunctional relationships have never been this whimsical.
RATING: 3.75 out of 5
